Two Point Oh Interview – Angel/Lagoon

Two Point Oh Interview – Angel/Lagoon

The visuals for Lagoon are incredible. How do you go about creating your visuals? Do you have a thought that you explore in isolation or do you bounce around concepts and work with someone to develop your visual ideas that accompany your music?

This project was initially inspired by what would become the album artwork – an earlier and similar version to the final cover, created by Tiffany Schouw. After seeing and asking about it on instagram, I loved the juxtaposed elements of the alligator and baywatch style swimsuit shot, along with the title Angel. There were elements of 90’s thriller and something quite dark and layered to it. Inspiring a sense of what it might sound like, so from this collaborative outset the album evolved musically and conceptually. It’s the first time I’ve written music this specifically to an image, and really enjoyed the process. The album and videos were made in isolation, but are very much influenced and inspired by the world at large. Some key individuals who shared valuable insights along the way. Inspiration comes in different forms as the process develops.

A lot of exploring and visual research went into the videos of Angel. Much of it is a frame by frame stop-animation style approach, collaging YouTube clips and random footage shot over the years. Several themes emerged that thread through the album, only fully revealed towards the end, as it expanded from two video Singles to the full album as a short music-film with a running narrative throughout. The process was a combination of chance findings, running with instinct, then carefully arranging it without losing too much immediacy. Sometimes it feels more like a forensic figuring out of what form the music and concept is wanting to take, rather that it coming from a premeditation.

The process was a combination of chance findings, running with instinct, then carefully arranging it without losing too much immediacy.

Fred Clarke, are you a full-time musician and artist?

My days are spent mostly working in visual and musical mediums on various projects at a time. Sometimes simultaneously, but generally oscillating between art-making and music for a month or more at a time, depending on work requirements. I’m excited to do more videos as it combines both worlds, and am increasingly enjoying music collaborations. It’s always something hybrid and new for the creators involved. Many of my extended family are artists/creators and am thankful for the understanding and support along the journey.

How does your creative process work? Do you set out goals for yourself and try to tick them off? Or do you wait for something that you are passionate about and want to further explore and develop music and visuals from that?

It’s generally a case of following the most exciting thing at the time. A lot of thought and energy always goes in, but if the chemistry isn’t there it’s difficult. Sometimes it’s impossible to create with the same intensity and meaning. Like people, some are more primary and exciting at any given chapter of one’s life. Often it’s a walk through the dark, but that’s most of the thrill, not having a clear map and trusting the process, sometimes blindly. There appears to be a natural timing and order to things, spiritually and scientifically. Laws of attraction and connections that seem to consistently make abstract sense and line up.

What is your biggest vice?

Of the several that come to mind hypocrisy and judgement are up there.

‘Angel’ is now available on digital streaming and sales platforms:
https://idol.lnk.to/Angel

https://twopointoh.co.za/2020/07/11/angel-mathroom/

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